Panel: Touched by Machine? Composition and Performance in the Digital Age |
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Is There Life After MIDI? |
Puckette, Miller |
MPI Revisited: Aga Matter for Piano and Tape |
Tipei, Sever |
Temporal-Gestalt Segmentation - Extensions for Compound Monophonic and Simple Polyphonic Musical Contexts: Appl. to Works |
Boulez, ; Cage, ; Xenakis, ; Ligeti, |
Physical Models for Music and Animated Image: The Use of CORDIS-ANIMA in "ESQUISSES"; a Music Film by ACROE |
Cadoz, Claude; Lucianni, Annie; Florens, Jean-Loup |
The Computer Music World View: Sketch of an Ethnomusicalogical and Aesthetic Approach |
Chambers, Evan K. |
The Extended Environment |
Young, John |
Novelty, Progress and Research Method in Computer Music Composition |
Pressing, Jeff |
'Local/field': towards a typology of live electroacoustic music |
Emmerson, Simon |
Modelling the Influence of Pitch Duration on the Induction of Tonality from Pitch-Use |
Griffith, Niall |
Computer-Assisted Training of Timbre Perception Skills |
Quesnel, René |
Timbre Characterization with Mel-Cepstrum and Neural Nets |
Cosi, Piero; De Poli, Giovanni; Prandoni, Paolo |
Loudness of musical sounds in a reverberant environment |
Chomyszyn, Jan |
A Visual Model for Embedded Chroma Spaces: Theory and Software Applications |
Moreno, Enrique |
Kant: a Critique of Pure Quantification |
Agon, Carlos; Assayag, Gérard; Fineberg, Joshua; Rueda, Camilo |
Pattern Processing in Music |
Rowe, Robert; Li, Tang-Chun |
Automating Ensemble Performance |
Grubb, Lorin; Dannenberg, Roger B. |
Adaptive Karaoke System: Human Singing Accompaniment Based on Speech Recognition |
Inoue, Wataru; Hashimoto, Shuji; Ohteru, Sadamu |
Foot-tapping: a brief intoduction to beat induction |
Desain, Peter; Honing, Henkjan |
Rulebased models of initial beat induction and an analysis of their behavior |
Desain, Peter; Honing, Henkjan |
A Model of Beat Induction Accounting for Perceptual Ambiguity by Continuously Variable Parameters |
Parncutt, Richard |
Rhythm Tracking Using Multiple Hypotheses |
Rosenthal, David; Goto, Masataka; Muraoka, Yoichi |
An Auditory-Motor Model of Beat Induction |
Todd, Neil P. McAngus; Lee, Chris |
The Resonant Dynamics of Beat Tracking and Meter Pereception |
Large, Edward W. |
Advanced issues in beat induction modeling: syncopation, tempo and timing |
Desain, Peter; Honing, Henkjan |
Learning Expression at Multiple Structural Levels |
Widmer, Gerhard |
The RUBATO Performance Workstation on NeXTSTEP |
Mazzola, Guerino; Zahorka, Oliver |
Neural Networks vs. Rules System: Evaluation of Test of Automatic Performance |
Bresin, Roberto; de Poli, Giovanni; U Battel, Giovanni; Vidolin, Alvise |
Evaluations of Artificial-Neural-Network Types for the Determination of Pitch |
Taylor, Ian; Greenhough, Mike |
Melonet: Neural Networks that Learn Harmony-Based Melodic Variations |
Feulner, Johannes; Hörnel, Dominik |
The Detection of Rhythmic Repetition Using a Self-Organising Neural Network |
Roberts, Simon; Greenhough, Mike |
A Rhythm Perception Model by Neural Rhythm Generators |
Ohya, Ken-ichi |
GenJam: A Genetic Algorithm for Generating Jazz Solos |
Biles, John |
Genetic Algorithms as a Method for Granular Synthesis Regulation |
Fujinaga, Ichiro; Vantomme, Jason |
Generating Rhythms with Genetic Algorithms |
Horowitz, Damon |
Toward a new model of performance |
Chen, Mon-chu |
A Meta Trumpet(er) |
Impett, Jonathan |
Adaptive Timbre Control System Using Gesture |
Hartono, Pitoyo; Asano, Kazumi; Inoue, Wataru; Hashimoko, Shuji |
An evaluation of input devices for use in the ISEE human-synthesizer interface |
Vetegaal, Roed; Eaglestone, Barry |
The aXi0 MIDI Controler |
Cariou, Brad |
The Virtual Piano Action: Design and Implementation |
Gillespie, Brent |
The use of active tactile and force feedback in timbre controlling electronic instruments |
Bongers, Bert |
Live Performance and Virtuosic Pitch-blend Technique for the Synthesizer |
Favilla, Stuart |
The LDR Controller |
Favilla, Stuart |
The MIDI Time Clip: A Performer/Machine Synchronization System for Life Performance |
Pennycook, Bruce; Stammen, Dale |
Using HyperInstruments for the Redistribution of the Performance Control Interface |
Anderson, Tim; Hearn, Debbie |
Dynamic Intonation for Keyboard Instruments |
Munck-Fairwood, Roger |
Motographicon: a system for computer choreography |
Rajka, Peter; Ungvary, Tamas |
Nuntius: a transmedial communication system for computer music and computer choreography |
Ungvary, Tamas |
A Virtual Piano Concerto - Coupling of the Mathews/Boie Radio Drum and the Yamaha Disklavier Grand Piano in the "The Seven Wonders of the Ancience World" |
Jaffe, David A.; Schloss, Andrew |
Demonstration of Gesture Sensors for the Shakuhachi |
Katayose, Haruhiro; Kanamori, Tsutomu; Shimura, Satoshi; Inokuchi, Seiji |
The SoundLab: a wearable computer music instrument |
Curtin, Steve |
Formal Processes of Timbre Composition Challenging the Dualistic Paradigm of Computer Music |
Di Scipio, Agostino |
Algorithms Adapted from Chaos Theory: Compositional Consideration |
Harley, James |
The Morpho Concepts: Trends in a Software for Acousmatic Music Composition |
Teruggi, Daniel |
A Common Lisp Interface for Dynamic Patching with the IRCAM Signal Processing Workstation |
Hummel, Thomas |
Design and Implementation of an object-oriented Media Composition Framework |
Ackermann, Philipp |
The Communal Groove Machine |
Wolman, Amnon; Becker, Canton |
The IRCAM "Real-Time Platform" - Evolutions and Perspectives |
Dechelle, Francois; De Cecco, Maurizio; Puckette, Miller; Zicarelli, David |
MARS Application Using APPLI20 Development Tools: A Case Study |
Armani, Fabio; Paladin, Andrea; Rosati, Claudio |
The MARS Station: Algorithm Design and Real Time Performance |
Maggi, Enzo; Armani, Fabio |
MacMusic, the MUSIC N Environment for Macintosh: Algorithmic Synthesis and Composition Made Easy |
Perez, Isidoro |
The Musical Object Development Environment: MODE (Ten years of music software in Smalltalk) |
Pope, Stephen Travis |
Lambda Calculus and Music Calculi |
Orlarey, Yann; Fober, Dominique; Lezt, Stéphane; Bilton, Mark |
Abstract Time Warping of Compound Events and Signals |
Dannenberg, Roger B. |
Blending "Traditional" off-line Algorithmic Textual Input with Realtime Interaction and Graphics |
Oppenheim, Daniel |
Musically Salient Control Abstractions for Sound Synthesis |
Eckel, Gerhard; Gonzales-Arroyo, Ramon |
Music Space: A Metaphor for Music Representation and Music Generation |
Zannos, Ioannis |
Complex Musical Pattern Description in Common Music |
Taube, Heinrich |
Soundmodels: A language for description of sound and sonic structures based on a taxonomy |
Lundén, Peter |
A Graphical Environment for Electroacoustic Music Composition |
Rossiter, David; Howard, David M. |
A graphical user interface for MIDI Signal Generation and sound synthesis |
Horry, Youichi |
The Audio Browser - An Audio Database Navigation Tool in a Virtual Environment |
Whitehead, John F. |
A Modular Construction Set for Time-Domain Editors |
Feiten, Bernhard; Spitzer, Markus |
The Design of a Pen-based Music Notation System |
Garnett, Guy; Leroy, Annick; Müller, Giovanni |
Optical Music Recognition - progress report |
Wolman, Amnon; Yaeger, Tad |
A Fuzzy Syntactic Approach to Recognising Hand-written Music |
Watkins, Greg |
NoteAbility: A Music Notation System that Combines Musical Intelligence with Graphical Flexibility |
Hamel, Keith |
DSP Based Reliable Pitch-to-MIDI Converter by Harmonic Matching |
Casajús-Quiros, Francisco J.; Fernandez-Cid, Pablo |
Blind Decomposition of Concurrent Sounds |
Ueda, Mamoru; Hashimoto, Shuji |
The Effects of Multi-Channel Signal Decorrelation in Audio Reproduction |
Kendall, Gary |
Geometic Sound Transformations |
Monro, Gordon; Drummond, Jon |
Timbre Morphing Using the Lemur Representation |
Holloway, Bryan; Tellman, Edwin; Haken, Lippold |
Analysis/Synthesis of Sound Using a Time-Varying Linear Model |
Therrien, Charles W.; Cristi, Roberto; Kjono, |
Efficient Fourier Synthesis of Nonstationary Sinusoids |
Goodwin, Michael; Rodet, Xavier |
Granulation and Time-Shifting of Sampled Sounds in Real-Time with a QUAD DSP Audio Computer System |
Bartoo, Timothy; Murphy, David; Ovans, Russell; Truax, Barry |
Realtime Musical Applications using FFT based Resynthesis |
Settel, Zack; Lippe, Cort |
A Method of Denoising and Reconstructing Audio Signals |
Berger, Jonathan; Goldberg, M.; Coifman, R. |
Sound hybridization based on a deterministic plus stochastic decomposition model |
Serra, Xavier |
Using Wavelet Based Analysis and Resynthesis to Uncover the Past |
Berger, Jonathan; Nichols, Charles |
A real time singing voice analysis/synthesis system |
Pabon, Peter |
A Virtual Castrato (!?) |
Depalle, Philippe; Garcia, G.; Rodet, Xavier |
Real-time Spectrum/cepstrum games |
Pabon, Peter |
Real-Time Additive Synthesis Controlled by a Mixture of Neural-Networks and Direct Manipulation of Physical and Perceptual Attributes |
Freed, Adrian; Goldstein, Mark; Goodwin, Michael; Lee, Michael; McMiller, Keith; Rodet, Xavier; Wesse;, David; Wright, Matthew |
A Multirate Optimisation for Real-time Additive synthesis |
Phillips, Desmond; Purvis, Allan; Johnson, Simon |
Neural Networks for Musical Tones Compression, Control and Synthesis |
Bresin, Roberto; Vedovetto, Alessandro |
Control of Frequency and Decay in Oscillating Filters using Multirate Techniques |
Holm, Frode |
Connections between Feedback Delay Networks and Waveguide Networks for Digital Reverberation |
Smith, Julius O.; Rochesso, Davide |
Circulant Feedback Delay Networks for Sound Synthesis and Processing |
Rochesso, Davide; Smith, Julius O. |
Real-time Synthesis on a Multi-processor Network |
Itagaki, Takebumi; Purvis, Allan; Manning, Peter D. |
Stability/Instability of Periodic Solutions and Chaos in Physical Modles of Musical Instruments |
Rodet, Xavier |
Dynamically Configurable Feedback/Delay Networks: A Virtual Instrument Composition Model |
Hamman, Michael |
Organizing the parameter space of physical models with sounds feature maps |
Feiten, Bernhard; Behles, Gerhard |
Intelligent Synthesis Control with Applications to a Physical Model of Acoustic Guitar |
Jánosy, Zoltán; Karjalainen, Matti; Välimäki, |
A Simplified Approach to Modeling Dispersion Caused by Stiffness in Strings and Plates |
Van Duyne, Scott A.; Smith III, Julius O. |
Traveling Wave Implementation of a Lossless Mode-coupling Filter and the Wave Digital Hammer |
Van Duyne, Scott A.; Pierce, John R.; Smith III, Julius O. |
On the Use of Schrodinger's Equation in the Analytic Determination of Horn Reflectance |
Berners, David |
Digital Waveguide Modeling of Wind Instrument Bores constructed of Truncated Cones |
Välimäki, Vesa; Karjalainen, Matti |
Synthesis of Trumpet Tones Using a Fixed Wavetable and a Centroid-Controlled Second Order Filter |
Horner, Andrew; Beauchamp, James |
Combined Linear and Nonlinear Periodic Prediction in Calibrating Models of Musical Instruments to Recordings |
Scavone, Gary; Cook, Perry R. |
The Rebirth of Computer Music by Analog Signal Processing |
Freed, Adrian |
A New Network and Communications Protocol for Electronic Musical Devices |
Wessel, David; McMillen, Keith; Wright, Matthew; Simon, David |
Real-time MIDI data flow on Ethernet and the software architecture of MidiShare |
Fober, Dominique |
MIDI and Audio via ISDN |
Nielsen, Ole; Danmark, Tele |
Virtual Instruments in Virtual ooms - A Real-Time Binaural Room Simulation Environment for Physical Models of Musical Instruments |
Huopaniemi, Jyri; Karjalainen, Matti; Välimäki, Vesa; Huotilainen, Tommi |
Simulation of Room Acoustics with a 3-D Finite Difference Mesh |
Savioja, Lauri; Takala, Tapio; Rinne, |
sndSpace: A Graphical 3-D Stereo Software Tool |
Starks, Gavin R.; Linton, Ken |
Model based interactive sound for an immersive virtual environment |
Bargar, Robin; Choi, Insook; Das, Sumit; Goudeseune, Camille |
Sound Spatializations in Real Time By First-Reflection Simulation |
Rocchesso, Davide; Ballan, Oscar; Mozzoni, Luca |
Sound Utilities 2.0: A Software System for Creating Virtual Acoustic Spaces |
Stammen, Dale; Soulodre, Gilbert |
A Dynamic Spatial Sound Movement Toolkit |
Lezcano, Fernando López |
PITCH: the Percussion Instruments' Tinbral Classification Hierarchy |
Bell, Robert |
Voice Source and Acoustic Output Qualities for Singing Synthesis |
Rossiter, David; Howard, David M. |
Analysis of "Touch Effect" on the Transient of Pipe Organs with Mechanical Transmission |
Bazzanella, Laura; Debiasi, Giovanni B. |
Instruction of Computer Music for Computer Engineering Students and Professionals |
Camurri, Antonio; de Poli, Giovanni; Dannenberg, Roger; Smith, Julius O. |
Center for Computer Research in Music and Acoustics (CCRMA) |
Lezcano, Fernando López |
Integrated Arts Technology: New Facilities at the University of Michigan |
Chambers, Evan |
The Theremin Center for Electro-Acoustic Music |
Smirnov, Andre |
Computer Music at Texas A & M University |
Helmuth, Mara |
University College Bretton Hall - Studio Report |
Landy, Leigh; de Paor, Paschall |
Computer Music Project of the University of Illinois Experimental Music Studios |
Tipei, Sever; Beauchamp, James |
The IBM Computer Music Centre: Studio Report |
Jameson, David |
University of Helsinki Electronic Music Studio |
Lassfolk, Kai; Tiits, Kalev |
The Making of an All-Digital Facility for Artistic Production and Research under the Label "avantgarde" |
Goebel, Johannes |
IRIS Studio Report |
Di Giugno, Giuseppe |